(1508-1580)意大利文艺复兴时期的建筑理论家、建筑师.生于帕多瓦，在维琴察当过泥瓦匠.曾到罗马学习和研究古代建筑.他熟悉古罗马建筑，在复兴古罗马建筑对称布局与和谐比例方面做出贡献.建筑作品风格严谨而富有节奏感，表现了手法主义的一种特征.1570年帕拉第奥发表了《建筑四论》，系统地总结了古典建筑的经验和他本人的观点，这部书对欧洲建筑界的影响很大.擅长于考古和建筑实践，注重从理论上探讨建筑物的比例.他的作品很多，有代表性的如改建的意大利维琴察尼西利卡(1549)。这是在一座原有大厅(14)的四面增加券柱外廊的建筑，由于处理手法巧妙，被称为帕拉第奥券柱式母题，对后来许多大型建筑设计很有影响.维琴察郊外的圆厅别墅(152)也成为后来许多同类建筑的范本. (1508-1580) Italian Renaissance architectural theorist, architect. Was born in Padua, Vicenza served inmason. Had gone to Rome to study and the study of ancient architecture. He is familiar with ancientRomanarchitecture, in the revival of ancient Rome Building symmetricallayoutand arrangements will be ratiocontribute. architectural works rigorous and rhythmic sense of style, showing the way a feature of Marxism-year .1570 Palladio published "Building 4 theory", a systematic summary of classical architecture experience and his own point of view, this book greatly influenced the construction industry in Europe. specializes in archaeological and architectural practice, focusing on the proportion of the building from the theoretical discussions. a lot of his works, representative of Italy, such as alterations Vicenza Nixilika (1549). This is an original Hall (14) additional coupons fourcolumns outside the gallery building, due to clever approach, known as the Palladian motif coupon column, for many large-scale architectural design was very influential.Virgincircular hall of police on the outskirts of Villa (152) also became the model for many of the same building.